Shots, people, dialogues and places move in a kind of synchronic dissonance with each other.Ĭlose and intimate domestic settings and urban scenes combine in artful montage to evoke a city in fluxĭepicted as still-life scenes and animated by the perpetual motion of people, portraying Hong Kong as a city in transition, the public places of In the Mood for Love are intimate and isolated. In the interior, the doorway frames the occupants inside the hallway, living room and bedroom, and the long hallway frames the kitchen. We never see the living room in its entirety in either apartment. The stairs, the corridor, the hallway inside the subdivided apartments, the living room, the kitchen and the bedroom appear as fragments, cut in from one to another as the occupants appear and reappear, moving between them. Portraits of desire displayed through synchronic visual storytelling techniques create a feeling of interaction between shots and components. Private spaces feel public – every neighbour seems to know everyone else’s schedules and whereabouts. The film is a spatial collage of bedrooms, mahjong rooms, hotel rooms, hallways, corridors, stairs, corners, steps, streets the density of Hong Kong’s domestic spaces is embodied in the apartment building interior. Inspired by Hong Kong writer Liu Yichang’s Modernist novella, Intersection (1972), In the Mood of Love, made in 2000, follows the relationship that develops between two Shanghai immigrants – Chow Mo-wan, played by Tony Leung, and Su Li-zhen, played by Maggie Cheung – as they saunter through the maze of Hong Kong’s cityscape with their restless gaze. We are hoping to move soon though, looking forward to a change in scenery.As a collage of time and place, Wong Kar-Wai’s In the Mood for Love captures a city in a state of transition I love looking at mosses and slime molds in the forest, contemplating the tiny and the massive, their similarities and differences. I love spending time in nature and it is certainly very inspiring for my work. We used to travel a lot in Europe but have been stationary in Scotland for a few years now. Currently, we live in the countryside, so we do a lot of walking and exploring the mountains, forests, and coastlines. What is your life like outside of your work? He has no other cat friends they are all enemies. He relaxes in a sunny window and likes to go outside and prowl around the local area. Now you can touch him on the belly while he waits for his food. For the first year, you could only really touch him gently on the forehead or he would swipe you with his claws. He was rather antisocial and grumpy when we first got him but he is much more relaxed now. We could not find out anything about his life before us, but I think it might have been a bit difficult. We adopted him when he was eight and he is 12 now. Of course, sometimes that mirror is pointed towards those most deserving of our affection - as is the case with her muse and cat, Charlie.Ĭourtesy of Lola Dupré Tell me more about Charlie - What’s his story (How did he come into your life)? What is he like? “I am very interested in the idea of turning a warped mirror on popular culture,” she tells me. Using movements in art history to reconfigure the faces of politicians, celebrities, and other renowned members of our society - past and present - Dupré wants the viewer to confront what, and more importantly who, they view as successful and worthy of attention. No matter if the subject is shown with multiple eyes, a spiky tongue, or 12 legs, Dupré brings a sense of flair and intense detail to each piece she creates. (Her collages, made from magazine clippings, require painstaking work in order to make art this intricate, precise, and inventive.) She has also collaborated with such global brands as Nike and Burton, and been commissioned by publications including Vogue, Flaunt, New York Magazine, and the New York Times. Her work has featured larger-than-life personalities from Prince to Aristotle to Jean Harlow - all exhibiting distorted proportions created with little more than paper and a pair of scissors. So when Glasgow’s Lola Dupré began creating bizarre and beautifully grotesque portraits of historical and pop culture figures, many took notice. See our privacy statement to find out how we collect and use your data, to contact us with privacy questions or to exercise your personal data rights.īeyond scotch and Ewan McGregor, you may not associate works of art with Scotland.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |